Our June HerStory recipient, Nnedi Okorafor, is a Nigerian-American sci-fi and fantasy writer who delves into what she refers to as Africanfuturism in her varied works. She is a second-generation Nigerian-American who spent her formative years in the midwest, kicking ass and taking names both athletically AND mathletically. She fell in love with science fiction and fantasy at a young age, and considers Nigeria, which she visits frequently, to be her muse. It was her bout with scoliosis at 13, and the resulting short-term paralyzation, that inspired her deep-dive into creative writing, and caused a “what-I-want-to-be-when-I-grow-up” swerve from entomology to fiction writing. 

Her books, and the histories and backstories of her characters, are deeply inspired by African themes and culture, and thus are so very different than the histories and cultures that have long dominated the genres she writes in. Both sci-fi and fantasy have long been the realm of the white male, focusing on Euro-centric histories (see: JRR Tolkein, CS Lewis, etc), and it’s only recently that women and BIPOC (Black and Indigenous People/Person(s) of Color) have been gaining a foothold in the mainstream of these genres. Reading Nnedi Okorafor’s work, one gets a sense for the magic and mysticism that informs the lives of her characters. She deftly weaves deep-rooted tradition with far-reaching technology (as in the Binti series) or a magical world that’s co-existing quietly with non-magical society (as in the Akata Witch series). And then there’s the straight-up feminism inherent in her books. Her heroines are young women, working against a still-existent and oh, so pervasive mysogyny that threatens to stymy their abilities to reach their full potential. But, through hard work, inherent skill, and learned knowledge, they survive and thrive. Much like real-life heroines like Nnedi Okorafor.

Our June HerStory colorway is inspired by the book cover of Akata Witch, the first book in Nnedi Okorafor’s young adult series about a young woman coming into her own in a world she never knew existed (but explains so much). It’s been referred to as the “Nigerian Harry Potter,” but it’s so much more. The story is so rich and beautiful, and Sunny’s journey is so amazing and fraught with stress and tension. If you are a fan of sci-fi and fantasy (or just a fan of good storytelling), grab the book and cast on a pair of socks to honor it and Nnedi Okorafor today.  

Here’s the thing about our May HerStory recipient, Emilie Flöge: she was amazeballs on her own, and we are plotting out pretty much all of the sewing projects in her style as we type. But, she was one of those women lost to history, consigned to a supportive role in a man’s story. Most of us recognize the name Gustav Klimt, and even if we don’t, his iconic painting style is surely familiar. But less familiar to us is likely his companion, his partner in life AND artistic expression, Emilie Flöge. And this is a not-uncommon predicament we find ourselves in here at Knitted Wit as we explore HerStory: the artistic (or scientific, or insert-anything-here) talent of a woman is often hidden behind the man she was associated with during her lifetime. Not because she objectively has less talent, and not because her entire reason for being was to “support her man,” but because we live in a patriarchal society, shored up by white supremacy and misogyny. 

At any rate, we are in love. Emilie Flöge was a trailblazer. She eschewed the established rules of fashion design AND what a woman’s life was “supposed” to look like. She threw away restrictive corsets and close-cut silhouettes in favor of voluminous a-line dresses and empire waists. She used bright colors and bold prints. Along with her two sisters, she founded a retail store that catered to women who were also status-quo-breakers, and created absolutely amazing pieces of wearable art that broke the rules, fashion-wise. She never married, and had a lifelong partnership with Klimt that seems to have been based on mutual respect and admiration. They collaborated and inspired each other; she’s often referred to as his “muse,” but it seems more likely that each was the other’s muse, in a very egalitarian way. The reasons she’s not a household name whereas he is are multifold, but come down to what she was making (clothing for women) and what sex she was. Plain and simple. 

So, drink in the beauty of Klimt’s painting of her. Realize that the colorful and flowing pieces his subjects wore were directly inspired by the colorful and flowing pieces his life partner created. And let’s all try to learn more about these artists on the margins, and bring them to the center of the stories, where they belong. And let’s all make long, flowing dresses in honor of Emilie Flöge, ok? Our Boho Chic colorway is directly inspired by the painting Klimt made of her. She’s powerful, and beautiful, and colorful. Let’s use this colorway to make something that will reflect all that Emilie Flöge was.